Selasa, 30 Oktober 2012

[S150.Ebook] Free PDF The Silas Diary (First Century Diaries), by Gene Edwards

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The Silas Diary (First Century Diaries), by Gene Edwards

This imaginative narrative parallels the book of Acts, giving a first-person account of Paul's first journey. We see it through the eyes of Silas, a friend and traveling companion of the apostle. You'll find yourself shipwrecked in the cold Mediterranean Sea, fighting for life with Paul and John Mark as they grab for something to hold on to in the icy blast of an Etesian storm. You'll discover what it's like to ford a river in a hailstorm only to be swept ashore in drenched, cold clothing, far from shelter or friends. The Silas Diary is your invitation to join Silas, Paul, and their companions on a journey fraught with danger and adventure--a journey that changed the history of the world. Learn with the first-century Christians what freedom in Christ really means.

  • Sales Rank: #732751 in Books
  • Published on: 2005-03-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x .62" w x 5.51" l,
  • Binding: Paperback
  • 238 pages

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0 of 0 people found the following review helpful.
I always like a historical novel where you get to know the ...
By suebedoo
Interesting story, I always like a historical novel where you get to know the characters as real people. When you read the bible, it is hard to think of these people and what their actions and conversations were. All through the ages, people are still the same no matter what century and it makes them seem more real.

0 of 0 people found the following review helpful.
I can't put it down!
By Ocean Reef
What a wonderful look into life in the 1st century through the eye's of the men whom the Book of Acts was written about. This book is not scripture, doesn't claim to be and should be be taken that way. However I challenge anyone to read this book and then go back and re-read the Book of Acts. It will literally come alive for you!

2 of 4 people found the following review helpful.
Paul became real to me
By 'Chal
Until I began this outstanding book series Paul was just another church figure to me. This book blessed me with a heartfelt comprehension of Paul's travels, teachings and sufferings. As with all of his books I've read to date, Gene Edwards did a wonderful job in expanding my faith to include not just book knowledge but a never-to-be-forgotten glimpse into the story behind the story.

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Sabtu, 27 Oktober 2012

[Z175.Ebook] PDF Ebook Cinderella Man: James J. Braddock, Max Baer, and the Greatest Upset in Boxing History, by Jeremy Schaap

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A riveting tale of perseverance in the face of hardship, Cinderella Man is the chronicle of the boxer James J. Braddock, whose exceptional story of achievement against all odds was the subject of a major motion picture. Braddock, dubbed the Cinderella Man, staged the greatest comeback in fighting history, rising in the span of twelve months from the relief rolls to a face-off against the heavyweight champion, Max Baer.

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  • Sales Rank: #8794703 in Books
  • Published on: 2006-04-10
  • Format: Bargain Price
  • Number of items: 1
  • Dimensions: 8.00" h x .87" w x 5.25" l,
  • Binding: Paperback
  • 336 pages

About the Author

Jeremy Schaap is the author of the New York Times bestseller Cinderella Man. An ESPN anchor and national correspondent, his work has been published in Sports Illustrated, ESPN the Magazine, Time, Parade, TV Guide, and the New York Times. He has also appeared on ABC's World News Tonight and the CBS Evening News. He is the son of the award-winning journalist Dick Schaap.

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Jumat, 26 Oktober 2012

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  • Published on: 1800
  • Binding: Paperback

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Rabu, 24 Oktober 2012

[E496.Ebook] Get Free Ebook A Reader's Guide to Contemporary Literary Theory, by Raman Selden, Peter Widdowson

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Unsurpassed as a text for upper-division and beginning graduate students, Raman Selden's classic text is the liveliest, most readable and most reliable guide to contemporary literary theory. Includes applications of theory, cross-referenced to Selden's companion volume, Practicing Theory and Reading Literature.

  • Sales Rank: #778604 in Books
  • Published on: 1993-06-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .58" w x 5.51" l, .64 pounds
  • Binding: Paperback
  • 288 pages

Review
"A very clear, sustained, impartial guide."―Choice

"A good starting point for students who want to have a readable overview of critical theories."―English Literature in Transition

"Distinguished chiefly by its clarity and impartiality, this is a useful guide to the main schools of contemporary critical thought."―Journal of Modern Literature

"An extremely helpful volume."―South Atlantic Review

"The ideal crash course. Remarkable for its clarity."―Times Literary Supplement

From the Publisher
This 4th edition aims to retain the valuable features of the original book; brevity, even coverage of the main literary theories and useful further readings and bibliographies. At the same time the new edition adds new material on 'contemporary' literary theories, such as: cultural materialism, post-colonial theory, feminist theory, Black British, African-American, Asian, Caribbean theory, and Gay and Lesbian theory.

From the Back Cover
The liveliest and most readable and reliable guide to contemporary literary theory, Raman Selden's classic text is now available in an updated Third Edition, substantially revised to bring you into the vanguard of current theory.

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14 of 14 people found the following review helpful.
A wonderful supplement to primary theory readings
By Rev. Cherrycoke
For some years I have used this book, in a number of its editions, as one of the texts in my college upper-division literary theory class. Each edition is better and more inclusive than the last. Selden sorts out literary theory into its logical categories (New Criticism, structuralism, poststructuralism, cultural theories). Chapters provide useful, clearly written, and accurate summaries of fields/schools/movements and brief summaries of the works and contributions of major theorists in each. The book works particularly well in a twentieth-century theory class in conjunction with a reader in primary theory, such as the wonderful Norton Anthology of Critical Theory (first published in 2001) and a glossary of critical terms (such as the terrifically useful Oxford Dictionary of Literary Theory). My students consistently end up liking Selden's book; they usually comment on how clearly it lays out major ideas in each theoretical camp and how it helps them to read the difficult primary texts by powerhouses such as Marx, Derrida, Foucault, Cixous. The companion reader is ok, but not as useful as this summary of theoretical positions.

26 of 26 people found the following review helpful.
Excellent intro to literary theory
By A Customer
This book is a must for any student of literature. It gives a brief but always clear description of all the major theories of contemporary criticism (except the myth criticism of Frye and Jung, which prevents my giving the book a five). Topics covered include New Criticism, Marxism, Russian Formalism, Structuralism, Poststructuralism, Psychoanalysis, New Historicism, Cultural Materialism, Feminism, Post-Colonialism, and Queer Theory. A study of these theories will help any student increase their appreciation for and understanding of literature and literary theory. The book, however, only covers the theories in their theoretical context and not in their practical applications to literature. That is covered in the companion book A Reader's Guide. The theories are covered in relation to the major theorists behind them (Leavis, Bakhtin, Todorov, Derrida, DeMan, Barthes, Lacan, Kristeva, Foucault, etc.)

6 of 7 people found the following review helpful.
great to return to again and again for insight
By skeptical of both sides
It is easy to fault any discussion of literary theory for being unclear or full of jargon. This book is clear in its explanations, and is as unbiased as it gets, given the subject and terminology. We should not confuse a subject full of obscurities and difficulties with the book that tries to explain them. This book is very basic and simple, (although it could seem difficult for a beginner), but I've found that literary theory takes a long time to really understand and there are many texts that one should know if one is to read widely in the subject. This book has been great to return to at various stages of my understanding and reading over the years. An indispensable, basic tool.

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Jumat, 19 Oktober 2012

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Fatalism in American Film Noir: Some Cinematic Philosophy (Page-Barbour Lectures), by Robert B. Pippin

The crime melodramas of the 1940s known now as film noir shared many formal and thematic elements, from unusual camera angles and lighting to moral ambiguity and femmes fatales. In this book Robert Pippin argues that many of these films also raise distinctly philosophical questions. Where most Hollywood films of that era featured reflective individuals living with purpose, taking action and effecting desired consequences, the typical noir protagonist deliberates and plans, only to be confronted by the irrelevance of such deliberation and by results that contrast sharply, often tragically, with his or her intentions or true commitments. Pippin shows how this terrible disconnect sheds light on one of the central issues in modern philosophy--the nature of human agency. How do we distinguish what people do from what merely happens to them? Looking at several film noirs--including close readings of three classics of the genre, Fritz Lang’s Scarlet Street, Orson Welles’s The Lady from Shanghai, and Jacques Tourneur’s Out of the Past--Pippin reveals the ways in which these works explore the declining credibility of individuals as causal centers of agency, and how we live with the acknowledgment of such limitations.

  • Sales Rank: #1260431 in eBooks
  • Published on: 2012-02-22
  • Released on: 2012-02-22
  • Format: Kindle eBook

Review

Robert Pippin has done it again. Hot on the heels of his award-winning book about Westerns, this study of film noir tells the other side of the story, the bleaker, more pessimistic side of the great age of American cinema. Seamlessly blending philosophy, history, and film analysis, it convincingly and powerfully suggests that the crucial function of film noir is to offer a worked-out picture of what life would look like were we to suspect that our most important decisions carry no real weight. With this stunning achievement, Pippin has reconfirmed his position as one of the most important critics of film writing today.

(Joshua Landy, Stanford University, coeditor of The Re-Enchantment of the World: Secular Magic in a Rational Age)

In Fatalism in American Film Noir, Robert Pippin examines popular movies from a philosophical perspective and does not treat them merely as an illustration of ideas but as a way of putting the ideas to the test of concrete cinematic experience. He looks at them thoughtfully and sensitively both as an inquisitive philosopher and as an attentive film critic. An original and illuminating contribution to both philosophy and film studies.

(Gilberto Perez, Sarah Lawrence College author of The Material Ghost: Films and Their Medium)

Like tragic figures, the heroes of noir are, or seem, doomed from the start. Pippin... calls into question this accepted view through analyses of three films.... Pippin demonstrates that, far from affirming fatalism, many noir films problematize the view that modern life is lived under the sign of doom. He argues that the very uncertainty of the human condition is the subject of film noir: is an individual’s conduct freely chosen or determined by forces he or she does not understand? The three chosen films answer: Maybe we’re free. Maybe we’re not. Radical uncertainty is where these films take readers and mostly leave them. Pippin’s analyses are thoughtful, detailed (even intricate), and challenging.

(CHOICE)

About the Author

Robert B. Pippin is Evelyn Stefansson Nef Distinguished Service Professor in the John U. Nef Committee on Social Thought, the Department of Philosophy, and the College, at the University of Chicago. He is the author, most recently, of Hollywood Westerns and American Myth: The Importance of Howard Hawks and John Ford for Political Philosophy.

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0 of 0 people found the following review helpful.
Film Noir Lives, but the F-Word is Fatal
By DENNIS ROHATYN
If an intellectual is someone who can sit through Rossini's opera "William Tell" in its entirety without once thinking of the Lone Ranger,
then Robert Pippin is surely an intellectual. He can talk about the archetypal femme fatale or the barely submerged homoerotic bond
between male protagonists all noir long, but when it's right there on screen, he can't see or sense it. Nor does he notice pain, anguish
and human suffering, much less death, except as a plot-point. His reduction of "Double Indemnity" to a single trope (forgiveness--or a
mixture of mercy and resignation) belies his own claim that the film is both complex and ambivalent. Indeed it is. But in Pippin's world
of platitudes, it gets filed away, like the usual theological suspects: grace, the beautiful soul, Platonic love, Judeo-Christian redemption.
To paraphrase Whitehead, the book commits the fallacy of misplaced abstractness, for which the only worthwhile remedy (real to reel)
is less reading, more living, and a sense of humor about life's follies and absurdities. For underneath its tragic mask, film noir is comic.
No wonder I can't stop laughing the minute I read a single line from Pippin's ponderous text. It might make a great screenplay, at that.
Unfortunately, the Undergrad. Man (and Post-Modern Woman) have already co-opted it, as their PhD dissertations for film noir school.

2 of 2 people found the following review helpful.
Philosophy as Good as it Gets
By Greg Hill
One of America's best philosophers writing in plain English (wonderful style too) about a fascinating topic. Couldn't put it down. Looking forward to reading other books by Robert Pippin.

1 of 1 people found the following review helpful.
New perspective on an important part of film noir
By Tony King
I'm still reading, but it provides a really nice consideration of fatalism in film noir with a general discussion then a film by film discussion. That fatalism is an element of film noir is not new, but this goes into much more rich detail than just the statement that fatalism is part of what makes film noir film noir. I've been re-watching the films discussed after the reading about that film and it does bring a new appreciation to aspects of fatalism that might be missed on earlier watchings.

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Sabtu, 13 Oktober 2012

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  • Sales Rank: #6396286 in Books
  • Published on: 2007-01-28
  • Binding: Hardcover

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Selasa, 02 Oktober 2012

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Magic of Selling Art is the most complete book on selling art ever written. Reveals the secrets of master salespersons in layman's language. For individual artists as well as professional gallery staff. Filled with vignettes of Jack White's selling experiences and written in his clever Texas wit, Magic of Selling Art teaches how to soft sell in hard times. A must read for anyone in the retail business of art.

  • Sales Rank: #1108005 in Books
  • Published on: 2010-03-29
  • Original language: English
  • Dimensions: 11.00" h x .45" w x 8.50" l,
  • Binding: Paperback
  • 196 pages

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3 of 3 people found the following review helpful.
Magic of Selling Art
By Deborah Harrington
If you are working in a gallery, this is a really excellent book to read. There are some good tips about body language, but the rest is alot of self promotion...

2 of 2 people found the following review helpful.
Jack White
By Lynette C. Landry
You will not believe the information and tips and tricks Jack gives in his books. MYSTERY OF MAKING IT is the most crammed with ingormation. If I could buy only one that is the one I would choose. But, I bought all of the 6 others when I started reading Mystery,because I didn't want to miss anything Jack had to say. I will eventually get to ordering his Texas History books, but right now I need the information in the art series to sink in to being automatic pilot for me.
Do not hesitate to purchade any of his book !!! All are worth more than you are payihhng!!!
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1 of 1 people found the following review helpful.
Great ideas to selling art.
By Jenn
Excellent step by step practical ways to organize and sell art. Great stories of examples that help to make clear points. Highly recommend this for anyone interested in selling, not just fine art, but most anything.

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